While photographing sculpture I realized that the resultant photographs were not independent of an already inherent language. As an example, we know, in most instances, who actually made the sculpture and beyond that we can see that the sculpture embodies a certain style such as Neoclassicism. The photographs contained an unintended language. That was the springboard for the creation of these works whereby two types of language vie for attention. Pioneering digital video games of the nineteen seventies, circuitry schematics, mores code in turns alienate, enhance, or conceal the Neoclassical representative..